Of music before everything—
And for this like the Odd more—
Vaguer and more melting in air,
Without anything in it which weighs or arrests.
Paul Verlaine, “Art Poétique,” tr. Eli Siegel
For love true is, indeed, odd
and without weighs or stops
even when pitting flute to horn,
and so, stirring rings of rhymes
and winding sparks which give
a lift to eyes, to breath, to heart,
along with a passing touch or
to something small, be it nothing
but a plumelike wink or a little talk.
But for such resonance to concur
and match, the terminus, the πέρας
(or Piraeus) must always be or come
sufficiently nearby for rhyme to rise—
unless immortal is one, or somehow both.
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