The mind is manners,
and manners are the mind,
and this is the jingle
that clinks and chimes—
But what of the old sly hag
who ran with a robbers' band
and spun, to pass the night,
a tale from the Golden Ass
for a poor kidnapped lass?
It takes a god, a monster
stunning in disguise,
a snake hid in the dark,
and a woman's mortal soul,
"wonderfully merged,"
to make a Voluptas—
a wonderchild of want.
Is this why ladies "with a class"
would order or invent a shaggy faun—
to strip down qualms and hang
their morals out to dry
for the hour that lets them act?
"Oh, Eros," having leafed
through Auden's Penguin Reader,
a studious girl might sigh,
"he's surely the one who brought
a sense of reflection into my life.
Nonne amor caput rerum omnium est?
May Cupid never perish,
so I'll always find him by!"
So hearing this, I listen
and start to suspect why,
in fauns and their tails,
they found a needed tonic—
for, as they say, "neither
should we fear love
nor take such gifts for granted."
But only those who read extra
could cite Socrates—I mean,
that Banquet woman, Diotima:
"Do not then insist that what is not fair
is of necessity foul,
or what is not good evil;
or infer that because love is not fair
and good he is therefore foul and evil;
for he is in a mean between them" (Plato 201d–204c).
And just as fast, one hand
behind their backs, the students
of Maine's fields and woods
would gladly wrap it up:
"Love is never white or black!
Still, 'nothing can be had
without a price' (Epictetus):
with brutes we pay for mores,
with devils, in lips of vows.
And though morals are a must,
fauns—the devils—are more fun,
even if characters wane
like candles in the wind
when all's a thing of lust.
But wouldn't Plato too
summon a bit of touch
'with a sense of distance'?"
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