Friday, July 3, 2026

How Something So Thin and Small Can Catch Something So Large, She Looked at Me as if in Wonder

 

A line on which letters

flow and curl

to catch your breath and eye,

the delicacy of an arachnoid leg,

its sole, ankle, calf, and thigh,

to pin and plot and map

 

with the finest of the rifts

which pull and tie

as if it too sought to compete

with Pallas’ subtile weaving art—

sub tela—written finely—

under a cobweb’s geometric loom

 

for text was once a woven thing,

logos or speech by tekne

was to whirl and twine

rays by rays arrayed

and catch the lightest beat,

heart’s finely strumming pulse.

Thursday, July 2, 2026

How the Romantic Orientation of My Poems Had Been Sealed and Set

 

I. Fifty Years Later from Another Continent

 

A funny thing or—to be

more reverent—it’s fair

now to say, after half

a century—how one

sentence of a mere two

or three small words

set the compass

of my life and poems—

 

it must have been in 1976 or 75

in the history class I enjoyed much

till we came to where our current

world and age began and our book

and what we were made to learn

suddenly became all too shallow

and way too grey and hollow

to my mind and innate taste—

 

II. The Classroom at the Ostrov School on the Hill

And by the Street That Used to Be “Of the May Uprising”

But, after 1989, Was Changed Simply into “May Street”

 

But that, at that moment,

had happened yet

when we, little whelps and ducks,

were sitting in a study

generally assigned to botany

with skeletons and samples

of long-dead animals

and our teacher asked:

 

“Could you tell me, guys,

what the Romantic is,

what means and what it does?”

 

III. A Schoolgirl’s Defining Answer: The Annunciation

 

Admittedly, back then I was,

as we say in Czech,

I was still "unkissed"—

that is,

completely innocent of the matter,

 

and yet, naively ambitious,

I raised my hand, hoping

to concoct something smart

 

but before I was called,

my class-fellow Jitka Železná,

“She of Iron Will Be Praised,”

was picked up first—

 

and so she spoke

those fatal words:

“Something very beautiful.”

What Joins Separates and What Separates Strains to Find What Has Been Lost

 

Each line and every touch
Adds another shade.
That is what a painter does,
And women too
Draw upon the selfsame art.

Yet each also adds
A little death—
The one that cleaves
And separates
What once was joined

In the endless play
Of bringing forth
A view,
A newly rising path,

While all the rest
Recedes from sight,
As though the world itself
Were one vast cosmic
Leela dance—

That strangely common wonder
Of ever-washing,
Ever-veiling waves,
Where nothing leaves
The unfolding stage.