A classic scene: a woman by a well.
But how many ages do we need to pass
along with many passings-away
before someone steps in and stops
to ask: “Which of the two is deeper?”
But to know the answer, there’s much
one must remember: underneath
the stillness of the well
there is—there still has to be—
yet a deeper bristling spring.
A spring that cracks even the hardest
and the highest of the mountains
to prove that its clarity takes
after light and speech,
and many steps past
any mortal counting
it takes to attain one day
at that one step
when at last what the soul
wants you to hear, she puts on your lips:
“Are we deep enough
for one another—or at least
as deep as a well that goes
as down as where
water bearing a life’s gift
is as pure as gold may ever be,
and clarity and knowing
emerge as the arché
present and, therefore,
truly present for us within?
And if so, can we be to another
like that woman and her well,
ever as before and ever after,
even past this timeline’s
narrow rim—
almost as timeless as a temple,
a garden’s image set in stone,
both nearby and outside
some forgotten tomb
like those hermae may crown?
For if we meet, isn’t each
and every such one moment
a temple, garden, well,
never meant only for
a rush of walk-through,
but just for this—to step in
and stop so that love
and our soul grow deeper;
and no, no arrogance may enter
and savor such delights?
Or isn’t it written: we ought
to learn love as does a musician
or a thoughtful poet, since only thus
one can enter the sublime and its interval
the ages and more have conferred—fated?”