Wednesday, May 27, 2026

In the Calm and Shade at Hudson Library Garden


Behind the Hudson library,
Where its rotunda ends,
Lies a little garden
Dispensing calm and shade
Across benches and trees
Enclosed within a fence.

There, at the end of May,
A sweetbay magnolia
Already closes its bloom,

While two Japanese dogwoods
Gleam in fourfold whites.

And beyond a Chinese elm,
Having forgone the rush to dizzy heights
After learning the wisdom
Of staying low and close
To the ground they shelter,

Japanese maples boldly assert
Their choice of pert rubicund
Amid the hush of nervous leaves.


See That Finely Latticed Dress — Both a Password and a Magic Spell


At last I noticed — but only after
Seeing a rich belle époque woman’s dress —
How ladies and goddesses approached
In long, well-woven, swelling mesh

The lords and their nether mates
In ancient Egypt, the Land of Ka,
Where even serpents, it seems,
Grew wings upon their backs.

So why the mesh? Wasn’t that too
Leucothea’s shroud, in which the woman
Who died to her former mortal frame
Wrapped and held a drowning Odysseus?

And does one not meet the same enigma
When brooding late at night
Over questions no one else would ask,

In Greek and Cretan Dictynna —

The Goddess of the Fishing Nets,
In whose eyes she herself was saved,
And a god became ensnared
As though no more than little game?

So is it some secret thing,
Small and arcane,
Which women alone may have known:

That whether to man or to god,
They come best in nets —

In nets with so many eyes
That even Argus Panoptes
Would be put to rout and shame.

And all those eyes — so many
Ivory and hollow-horned gates.


Tuesday, May 26, 2026

The Original Canvas Colored in All Flowers’ Shades: A Medusa’s First Look before She Was Changed


What cathedrals uttered in stone
They made soar in chorales on high:
The troubadours and courts of love
Teaching gentle hearts through song.

Then whole ages had to pass again
Before the world’s divine feminine
Taught artists once more the beauty and light
Of her infused curve and line,

Within whose lattice all begins and ends.

And then something happened —
Both ancient and new, long forgotten —

The French Impressionism painters rediscovered
A Pallas-like and pensive woman outdoors:
A Medusa, a Siren, who never changed.


And What Else May Love Yet Know of Lips? / A co láska může o rtech ještě znát?

 

And What Else May Love Yet Know of Lips?

Some strange immortal artist
contrived it so that human lips,
in color and in their soft gleam,
resemble above all else

those fleeting rendezvous
when sun and earth lean and plunge
into one another, while the sky above
drifts aflame into dusk.

And so both dusk and dawn people
bear upon their passing lips
and tremble them into eager kisses,

upon lips bent on radiance and thrill
that bear and burn until it comes to pass —
that deep within, the two learn to open.

A co láska může o rtech ještě znát?

Jakýsi zvláštní nesmrtelný umělec
to učinil tak, že lidské naše rty
barvou i hebkým svým zábleskem
ze všeho nejvíce podobají se

právě oněm krátkým okamžikům,
kdy slunko a země zblízka do sebe
hrouží se a kloní a s nebem nad stromy
růžoví a sunou se do mrákot.

A tak soumrak i jitro lidé
na rtech míjejících se nesou,
a do polibků chtivě si je třesou,

a na rtech vědoucích o žáru i záři,
sahajících, sálajících, stane se —
do hluboka dva spolu učí se otvírat.

Monday, May 25, 2026

 

Universal woman? Wasn’t that
a promise too swiftly risen
from Glaucon’s wet desire
for the Politeia of the most
immaculate conception
offered in honor to the goddess —

when, borrowing — or stealing —
from the taboo powers of the dead in Hell,
he could become the perfect tyrant:

seen once by all, and then —
merely by turning a token
wrapped around his finger —

invisible to all who live,
so that, like one already dead,
he could never be caught,
and none could help
but yield to all he wanted?

And from all I have read and mulled,
I still cannot help recalling
how Karl Marx described his own dream,
and the ghost he summoned back from the dead —

and what justice there would mean:
nothing less than all transformed
into such Glauconian universal women,

without the right to remain apart,
without reticence or reservation —

is that why Cicero too rendered
the Glauconian Politeia as Res publica,
that “common thing” —

which sarcastic, sardonic Karl Marx,
like some Levantine Roman,
understood in turn as
“universal prostitution” —

communism’s global dawn —
with Plato and Socrates damned
for idealism, their naïve “mortal sin”
in any Saturnian ledger or draft.

Yet as one might expect,
even Karl Marx called such liberation
“primitive” and “vulgar” —
as though, without soul,
there could ever be more.

And so what of “universal woman” now,
when official communism has ended,
and the rule of money has overtaken
whatever still remained —

the selfsame mare of a dream:

a woman become the radical reverse,
the apogee and mockery of goddess,
into whom humanity as it is
must enter and swim —

whether wholly to the hilt,
body and soul,
or merely dipping by the bait —

so all alike may say
they drink and dine
the selfsame ocean.

Just as anyone may say
they have been to the library —

whether only from outside,
or after passing through the door
to meet the janitor —

yet never once reading
from the book
some god or Fate
has kept for them there,
all this time,
upon an old, dusty shelf.

Sunday, May 24, 2026

“What Should I Wear Tonight,” They Ask, Few Knowing That Fashion Too Is a Figure and a Face of Spirit

 

With pants women have grown
audibly and visibly
more somber, grave, and stern:

Qu’avez-vous découvert
en adoptant des pantalons
autrefois destinés aux hommes?

Haven’t they thus dimly set,
through those tightly fitting pipes
believed to fuse breeches and thighs,

upon Inanna’s old and original journey —

which, except for Persephone
and perhaps for Eurydice,
was among ancient Greeks
reserved only
for brawny heroes —

whom they have now deprived
of their gargantuan breeches,
fit to ride a flock of beasts,

as if the point, whispered
beneath a gentle breath,
were to ask, piercingly:

“So who’s the devil now?”

And still — even when it is cold —
there are days when I mourn and miss
the flair, lift, and liveliness of shirts,
their piquancy and Romantic appetite —

the trembling and the shock,
the resounding waves of seas,
arpeggios of violins and harps,
and the clanking summons
of beauty’s bells,

worn to charge the air
with streams and tunes
of buoyant, bowing,
yet still well-ordered desire,

and just as true and fine,

almost Aeolian —

being fit to sound

what exceeds man’s eyes.

A Collection of My Poems Reflecting on the Planned Demise of the Soviet Union and More Is Now Available on Amazon