Lychnidus, “city of light,” literally “a precious stone that
emits light,” from λύχνος (lychnos), “lamp, lantern, portable light.”
On the
Etymology of Ohrid or Ohri
Ostrov—an “isle,”
a port on land adrift
before the Ohře [Oh-Zhre]
river elbows the hills,
cutting her a sinuous pass,
that cape, a uranium town,
where I was born, taught:
all’s made of radiance and
rays
most of which ever stays unseen,
since being made of shining orbs,
the concentric architecture of the dark,
the ore which Orpheus would pluck
and turn on the strings, his lyre’s
thin tongues, into gleam and light
on the way ad fontes et cantatas
by souls—via love profound…
There Sorela’s statue-hieroglyph
holds and links at the figures’ waist
grain—stones of new beginnings
and a lantern and a book.
For the book is the lantern,
and the lantern is the seed,
and the seed is the light
sown into us with notes
of writing that, like the old
Slavic fortresses on the river
now all buried in the soil
below and in the sun above,
or like Sybil’s syllables
whether widely scattered
or gathered and composed
with our longing tongues,
or like a poem of a lamp,
ties in the soul together
the most soaring bloom
with its deepest root—
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