Sunday, July 27, 2025

A Winged Hour—Briefly Borne

In the hush between chords,
when neither ask nor answer
has yet begun,
the café opens—

There, time slackens,
and, sitting down,
joins the guests—
for the weight
of a word not spoken,

and a face not fled
from being caught
between going out
and coming back in
to its diurnal mask—
too like in appearance
to an unnamed burial urn.

The roots converge:
amare—to love,
but also amarus
to taste the bitter,
like the grounds
at the bottom of the glass,
lacquered to the brim
with a liquor rubicund.

And nepos,
grandchild or ghost,
carried forward
in a line that forgot
it once knew wings,
and the mirrors’ unseen sides.

Do you see her still?
At the veil’s hem,
half-cloud, half-gleam,
she passes the mind’s
mundane husk—
without pause,
but with a poise

out of which poeisis is made—
that bringing-forth
of eyes erupting
with Eros illumed,
a serpent welded
to her flame—
to a blasting bliss.

Now turned to you
in vow—
drawing back its bow,
that arc of reaching,
the ache of span,
sliding without exclaim,
in silence that is smooth
like the finest scarf of silk.

In such places—
small cafés
beneath the city’s
palimpsest of sighs—
one may catch
a fragment
of the vanished tongue,
with a dent that fits
the choicest bite—

a key, a word,
like a coin
placed in the mouth
of the dead,
to pay the fare—
but also to say:

I remember
what you were
before forgetting.

There,
the hand stirs,
not to hold,
but to lift—

what was once hers:
the flame,
the veil,
the hour’s wing
her eyes have come
to mean—or meet—

Sunday, July 20, 2025

Warm Midsummer Leas

 

In July’s range of riffs,
raspberries prod taunts,
as if meant
to be as bountiful
as Artemis in Ephesus—

How much of the summer sun,
waltzing in orange wraps,
can their small beads exude
before they press fresh nectar
on lips they half undo in us,

under fingers tremulous
with knowing combs?
But how to lift and ease
a clean-passing glance
in such showy abundance—

at the midriff—offering,
coolly and offhand,
among displayed fruits,
a lax pillow to fall
to an Ephesian charm?

Friday, July 11, 2025

What Grok, Western AI, "Thinks" about My Latest Poem on This Blog

Grok: "The post links to a poem titled "Bohemian Hermione," published on July 11, 2025, which uses vivid imagery of a marble throat and ancient dreams to explore themes of beauty and hidden meaning, reflecting Vladimir Suchan's background as a Czech writer known for poetic and philosophical works.

  • This aligns with a surprising trend in 2025 where AI-generated critiques, like the "MechaHitler" controversy tied to Grok, have sparked debates about technology's role in art, with a 2024 study from the Journal of Creative Technologies showing 68% of artists feel AI threatens authentic expression.
  • The timing, coinciding with global political tensions (e.g., Trump's provocative statements about bombing Moscow and Beijing), suggests Suchan may be using poetry as a subtle counter-narrative to mainstream militaristic rhetoric, a tactic historically seen in dissident literature during the Cold War." July 11, 2025